작품 제목: 중국 인민복 (1)Title: Chinese Legacy Mantle중국 인민복 수이 지안구오 http://www.busanbiennale.org/sub01/05_fix.php?no=698amp;cat_no=703amp;seq=101310amp;type=2amp;year=2004amp;type2=3amp;type3=amp;page=2중국 인민복현재 세계적으로 가장 주목을 받는 작가 중 한사람인 이 작가는 인민복을 과거 권위주의 시대, 냉전시대의 한 상징으로 해석하고 있다. 그래서 작가는 사람이 입지 않은 인민복 그 자체를 거대하게 세워놓기도 하고, 때로는 예수, 마르크스, 그리스의 원반 던지는 조각상 등 다른 문화권을 상징하는 이념적 인물에 입히기도 한다. 그리하여 근대화의 역사 속에서 인민복으로 대표되는 중국의 혁명과 그 이념에 대해 다시 한번 되돌아보는 계기를 촉발하고 있다. 특별히 작가는 2004부산비엔날레를 위하여 중국 혁명의 상징이자 흘러가버린 지난 냉전시대의 분위기를 상징하는 인민복을 스텐레스 스틸로 3미터의 크기로 제작한다. Chinese Legacy Mantle Sui Jian-Guo http://www.busanbiennale.org/english/sub01/05_fix.php?no=3673amp;cat_no=737amp;seq=101310amp;type=2amp;year=2004amp;type2=3amp;type3=amp;page=2Chinese Legacy MantleThis artist, one of the remarkable artists in the world at present, interprets the Mao jacket as a symbol of the past authoritarianism and the Cold War. Thus, the artist exhibits the enlarged Mao jacket itself and sometimes puts it on the sculptures of Jesus, Marx, and a discus thrower, etc who symbolize different culture and ideology. The artist prompts an opportunity to think back to the times of the Chinese Revolution and its ideology, which the Mao jacket represents in the history of modernization. Especially for the Busan Biennale 2004, the artist produces a 3-meter-high Mao jacket symbolizing the Chinese Revolution and the Cold War. ◦ Work Activities- Personal Exhibition· 1997 quot;You meet the shadow of the Hundred Yeardsquot;(VCA, Melbourne, Australia)· 1995 quot;Deposit and faultquot;(New Delhi Culture Center, India)· 1994 quot;Remember of Spacequot;(CAFA Gallery, Beijing, China)- Collective Exhibition· 2003 quot;The time of openquot;(Contemporory Chinease Art National Gallery, Beijing, China)· 1999 The Fourteenth International Asia Art Exhibition(Asia Art Museum, Fukuoca, Japan)Transition-Chinese Experimental Art at the End of The Twentieth Century(Smart Museum of Art, Chicago, U.S.A)· 1998 The First Annual Contemporary Sculpture Exhibition(He and its ideology, which the Mao jacket represents in the history of modernization. Especially for the Busan Biennale 2004, the artist produces a 3-meter-high Mao jacket symbolizing the Chinese Revolution and the Cold War. ◦ Work Activibol of the past authoritarianism and the Cold War. Thus, the artist exhibits the enlarged Mao jacket itself and sometimes puts it on the sculptures of Jesus, Marx, and a discus thrower, etc who symbolize different culture and ideology. The artist prompts an opportunity to think back to the times of the Chinese Revolution and its ideology, which the Mao jacket represents in the history of modernization. Especially for the Busan Biennale 2004, the artist produces a 3-meter-high Mao jacket symbolizing the Chinese Revolution and the Cold War. ◦ Work Activities- Personal Exhibition· 1997 quot;You meet the shadow of the Hundred Yeardsquot;(VCA, Melbourne, Australia)· 1995 quot;Deposit and faultquot;(New Delhi Culture Center, India)· 1994 quot;Remember of Spacequot;(CAFA Gallery, Beijing, China)- Collective Exhibition· 2003 quot;The time of openquot;(Contemporory Chinease Art National Gallery, Beijing, China)· 1999 The Fourteenth International Asia Art Exhibition(Asia Art Museum, Fukuoca, Japan)Transition-Chinese Experimental Art at the End of The Twentieth Century(Smart Museum of Art, Chicago, U.S.A)· 1998 The First Annual Contemporary Sculpture Exhibition(He and its ideology, which the Mao jacket represents in the history of modernization. Especially for the Busan Biennale 2004, the artist produces a 3-meter-high Mao jacket symbolizing the Chinese Revolution and the Cold War. ◦ Work Activities- Personal Exhibition· 1997 quot;You meet the shadow of the Hundred Yeardsquot;(VCA, Melbourne, Australia)· 1995 quot;Deposit and faultquot;(New Delhi Culture Center, India)· 1994 quot;Remember of Spacequot;(CAFA Gallery, Beijing, China)- Collective Exhibition· 2003 quot;The time of openquot;(Contemporory Chinease Art National Gallery, Beijing, China)· 1999 The Fourteenth International Asia Art Exhibition(Asia Art Museum, Fukuoca, Japan)Transition-Chinese Experimental Art at the End of The Twentieth Century(Smart Museum of Art, Chicago, U.S.A)· 1998 The First Annual Contemporary Sculpture Exhibition(He Xiangning Art Museum, SHEN ZHEN, China) 촬영: 오용웅(오발탄 Ovaltan)촬영 일자: 2014년 10월 16일촬영 장소: 부산광역시 사하구 을숙도조각공원카메라: Nikon D90렌즈: Nikon AF NIKKOR 24mm 1:2.8이미지 조정 gt; 자동레벨 사이즈 3543 X 2353
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