작품 제목: 짜릿한 입맞춤 (1)Electric Kisses 짜릿한 입맞춤 데니스 오펜하임 http://www.busanbiennale.org/sub01/05_fix.php?no=5216amp;cat_no=2002amp;seq=101510amp;type=2amp;year=2008amp;type2=3amp;type3=amp;page=1짜릿한 입맞춤오펜하임은 부산 비엔날레를 위해, 후자 유형의 새로운 조각을 제작한다. lt;짜릿한 입맞춤gt;(ELECTRIC KISSES)라는 제목이 붙은 이 조각은 초콜릿 키세스와 닮은 유동성, 육체성, 중력의 기하학을 형성하는 관능적인 만곡(彎曲)을 취한다. 야심차게, 방울이 떨어지는 전체 체계를 단 한 방울의 액체 초콜릿으로 환원하고자 하는 것 같다. 키세스와 조각의 연관은 오펜하임을 특징짓는 재기, 유머, 생명력, 자유를 드러낸다(그는 그의 조각에 두려움 없이 기분좋게 이러한 특징들을 더한다). 잡아늘여지고 길어진 키세스의 형상은 축구공, 화병, 또는 볼링공, 또는 심지어 램프나 레몬으로 변형된다. 마음을 열어보시라. 조각에서 난형(卵形)의 달걀에서부터 이슬람의 웅장한 돔에 이르기까지 무한한 특성들을 발견하게 될 것이다. amp;copy;한행길(비주얼아트 큐레이터, 뉴욕 자메이카 아트센터) Electric Kisses Dennis Oppenheim http://www.busanbiennale.org/english/sub01/05_fix.php?no=5478amp;cat_no=20022amp;seq=101510amp;type=2amp;year=2008amp;type2=3amp;type3=amp;page=1Electric KissesEntitled Electric Kisses, the sculpture takes a voluptuous curvature, resembling the chocolate Kisses, forming the geometry of liquidity, physicality and gravity, as if ambitiously daring to reduce the entire system of dripping to a simple drop of liquid chocolate. The association of the sculpture with Kisses exposes wit, humor, vitality and liberty-the qualities that characterize the artist, who comfortably lends them to his sculptures without fear. Stretched and elongated, the figure of Kisses transforms into the complacent shape of a football, a vase or a bowling pin, or even a lamp or a lemon-open your mind, you will find unlimited supplies of qualities from an egg ovoid to the majesty of an Islamic Dome in the sculpture. Fairly large in scale, Electric Kisses offers a space or spaces big enough for a viewer to enter; he or she can experience the work from inside and outside. In this sense, the sculpture intersects both architecture and non-architecture (such as landscape), embracing the terms and conditions of the both genres. This mixed function of the sculpture seems to satisfy the criteria of what Rosalind Krauss defined as the quot;category of the marked site?in her essay of ?culpture in the Expanded Field? quot;Whatever the medium employed, the possibility explored in this category is a process of mapping the axiomatic features of the architectural experience-the abstract condition of openness and closure-onto the reality of a given space.quot; Can the sculpture, therefore, be seen as marking the site-the Sculpture Garden? The structure is made of aluminum pipe with solid acrylic rods in brilliant colors attached onto the surface. As the acrylic rods are translucent, the light can pass through them-thus the idea of placing a light inside the hut for special effects. The artist envisions a ?luster?or a group of ?isses?when more than one piece can be made and closely placed together in one location. I envision the beauty, the wonder and the magical sense of harmony the sculpture will produce when lit at night. Placed in a prominent location at the main entrance to the Sculpture Garden and in front of the yet-to-come art center-supposedly quot;the largest and the bestquot; (?) art center in Korea-the sculptures are given the important assignment to greet visitors to the Sculpture Garden and the art center, evoking curiosity, fun, and love. ⓒHeng-Gil Han _ Curator of Visual Arts, Jamaica Art Center, NY 자료 출처(Credit): 부산비엔날레 홈페이지 촬영: 오용웅(오발탄 Ovaltan)촬영 일자: 2014년 10월 9일촬영 장소: 부산광역시 해운대구 APEC 나루공원카메라: Nikon D90렌즈: Nikon AF NIKKOR 24mm 1:2.8이미지 조정 gt; 자동레벨 사이즈 3543 X 2353
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