작품 제목: 하늘을 향한 귀 하늘을 향한 귀 일란 아서 샌들러 http://www.busanbiennale.org/sub01/05_fix.php?no=5218amp;cat_no=2002amp;seq=101510amp;type=2amp;year=2008amp;type2=3amp;type3=amp;page=2하늘을 향한 귀이 작품은 감각지각에 대한 나의 매혹과, 지구와 시간이라는 형식 안에 있는 인간 생물학의 명백한 한계에 대한 탐구에서 발전했다. 나의 개인전 ‘세 가지 감각Three Senses’에서, 나는 몸의 속박에서 자유롭고 스스로 신체의 기동성을 갖는 인간의 감각기관 조각물을 설치했다. 이 프로젝트는 공공장소에 놓임으로써 관람자들로 하여금 예기치 못한 환경에서 이 작품의 감시적이며 감각적인 측면을 만날 수 있게 했다. 나는 감각에 대한 연구를 통해 다양한 물리적 감각을 소리·비디오·조각 설치물들로 옮겼다. 나는 소극적인 감시 장치일 수도 있고 해안에서 잘 보이는 수상 오브제일 수도 있는 귀 조각을 만들기로 결심했다. amp;copy;일란 아서 샌들러, 2008 An Ear to the Sky Ilan Arthur Sandler http://www.busanbiennale.org/english/sub01/05_fix.php?no=5480amp;cat_no=20022amp;seq=101510amp;type=2amp;year=2008amp;type2=3amp;type3=amp;page=1An Ear to the SkyAn Ear to the Sky developed out of my fascination with sensory perception and an exploration of human biology? apparent limits within our terrestrial and temporal forms. In my solo exhibition, Three Senses, I installed sculptures of human sense organs that are free from the constraints of the body and have their own corporeal mobility. The projects were placed in public areas to allow viewers to encounter the surveillance and sensory aspects of the work in unexpected contexts. Through my research on the senses I have translated various physical sensations into sound, video and sculptural installations. I decided to design a sculpture of an ear that could be both a passive surveillance device and an aquatic object that was easily visible from the shore.When anchored on the eastern seaboard of North America, An Ear to the Sky appeared as a sensory organ ?istening?to the water? ambient sounds. It was like an island passively absorbing all the audio waves in its vicinity. As an aural surveillance object in the water, it transmitted the sounds of the harbour to the headset on shore. In the APEC Naru Park the left Ear? function has been inverted: rather than a listener it has become a speaker, patiently channeling unexpected sounds that were recorded by the right Ear in North America. In function it remains a passive object broadcasting sound from another continent yet its muscular form and bright colour evoke its visual power. ⓒIlan Sandler 2008The series of installations that includes An Ear to the Sky emboldens enlarged sense-receptors to act as independent agents in the physical landscape. Pieces in this series integrate conceptual art with sculptural traditions that date back to antiquity, representing sense organs that ?esemble updated parts of the ancient colossal statue of the emperor, Hadrian, whose fragments (a foot, a nose, etc) are still visible in Rome …The thing contained in each of Sandler? giant body parts is the concentrated power of sensory reception…One effect of the gigantism of Sandler? installations is to drag the mechanisms of surveillance back across our threshold of perception, demanding that we give them our attention.?(Robin Metcalfe, Three Senses and Table Talk, St Mary? University Art Gallery 2005.)ⓒAlice Brittan 2008 _ Assistant Professor, Dalhousie University자료 출처(Credit): 부산비엔날레 홈페이지 촬영: 오용웅(오발탄 Ovaltan)촬영 일자: 2014년 10월 16일촬영 장소: 부산광역시 해운대구 APEC 나루공원카메라: Nikon D90렌즈: Nikon AF NIKKOR 24mm 1:2.8이미지 조정 gt; 자동레벨 사이즈 3543 X 2353
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